July 13, 2013, 8 p.m.
Our Lady of the Angel’s R.C . Church
33 Mechanic St. & Garden State Parkway
Cape May Court House, N.J. 08210
Sue Ann Kahn, flute
Aurelia Mika Chang, piano
Performing works of Bach, Mozart, Poulenc, Ibert, and others
Wednesday, July 10, 2013
An evening of violin music
Our Lady of the Angel’s R.C. Church
33 Mechanic St., Cape May Court House
(off the Garden State Parkway below exit 10)
At 8 p.m.
Ari Boutris, violin
Aurelia Mika Chang, piano
Beethoven (1770-1827) – Romance in F major, Opus 50
Beethoven – Sonata No. 5 in F major, Opus 24 “Spring”
Scherzo: Allegro molto
Jules Massenet (1842-1912) – Meditation from Thaïs
Henryk Wieniawski (1835-1880) – Etude-Caprice Opus 18, No.2 in E flat major with special guest artist, Mialtin Zhezha
Henryk Wieniawski – Polonaise Brillante No.2 in A major, Opus 21
Natives and visitors to Cape May County and environs will have an opportunity to hear the celebrated Philadelphia Brass present their world premiere of the Suite from Guys & Dolls by Frank Loesser for Access to Art’s Sam Maitin Summer Chamber Music Festival. “We don’t tend to lean to that side of the genre, the lighter part of our concerts, we are very selective about everything. We went to the premiere arranger for brass quintet. He’s a retired Broadway musician, who spent years and years on Broadway. While he was playing, he would write arrangements for people in between tunes. You couldn’t read his handwriting. Thank God he is retired, now he puts it on the computer and we can read it. It was arranged for Philadelphia Brass by Jack Gale. We are very excited to be premiering it in Cape May for Access to Art’s Sam Maitin Music Festival.” said Scott Mendoker, Tuba, whose credits include the New York Philharmonic, the Bavarian Radio Orchestra, the Montreal Symphony, the New Jersey Symphony , the Boston Pops, and the hit Broadway musical Ragtime. Although the Philadelphia Brass is 25 years old, Scott Mendoker, who plays the Tuba, has been with them for seven years. Their first Tuba player retired. He knew their horn player, who asked him to audition. He did and got the job. “Here’s that Rainy Day” was arranged for us by Dale Devoe, who arranges and writes for big bands.”Mendoker said. “The nice thing about our brass quintet is we all get along so well.” he said. “I have been there for seven years, but Philadelphia Brass is 25 years old. Our unspoken mission statement is making beautiful music. We all teach, and do different things. We try to do what we do so that everyone can do it, in between symphony orchestras, teaching, Broadway orchestras. “ he said.
Access to Art, Inc. will open its 15th Annual Sam Maitin Summer Chamber Music Festival with the fabled Philadelphia Brass at the Cape May United Methodist Church, 635 Washington St., Sat. June 29th, at 7:30 p.m. Philadelphia Brass formed in Philadelphia in 1988 to pursue their common goals: performing the best of brass quintet literature of all periods and styles, and educating the public to the pleasures, subtleties, and complexities of chamber music.
The esteemed American composer Daniel Pinkham has written that Philadelphia Brass is “the most artistic brass quintet before the public today and they are the most style conscious brass ensemble I have yet worked with.” NPR’s Performance Today said that they are “One of the gems of Philadelphia’s cultural life.”
And why wouldn’t they be? Anthony Cecere, French horn, graduated from the University of Michigan. He has been principal horn and soloist with the New Orleans Philharmonic, a member of the American Chamber Players of Washington, D.C., and has performed with the Metropolitan Opera, the Philadelphia Orchestra, the Chamber Music Society of Lincoln Center, the New Jersey and Boston Symphony Orchestras and the New York Philharmonic. His recording credits include concerti by Mozart and Haydn, Twilight Music for violin, horn and piano by John Harbison, and the Bach Mass in b minor and Christmas Oratorio with the Bach Choir of Bethlehem. He has toured throughout Germany and France, and conducted master classes at numerous schools of music including Yale, Juilliard, the University of Missouri, the University of Arkansas, Idaho State University and the University of Seoul, South Korea. He has been a member of Beauty and the Beast Orchestra on Broadway and loves railroads and a nice Zinfandel.
Robert Gale is principal trombone with the Opera Company of Philadelphia, the Chamber Orchestra of Philadelphia and a member of the pit orchestra of the Walnut Street Theatre. He has been a member of the music faculties of Swarthmore College and Valley Forge Military Academy and is currently on the faculty of The College of New Jersey. He has performed with the St. Louis and Richmond Symphonies and has recorded extensively for many vocal artists, television and major motion pictures. After graduating from the University of Illinois, Bob began fifteen years of touring with the swing bands of Glenn Miller, Les Bogart, Jimmy Dorsey and Bob Crosby, and the back up bands for Bob Hope, Johnny Mathis, Donna Summer, Vic Damone , the Temptations, Manhattan Transfer, Natalie Cole and numerous others.
Brian Kuszyk is principal trumpet of the Opera Company of Philadelphia, the Pennsylvania Ballet and the Delaware Symphony, a member of the Chamber Orchestra of Philadelphia, the Bethlehem Bach Festival Orchestra, and a frequent substitute for the Philadelphia Orchestra. He has collaborated with artists Luciano Pavarotti, Denyce Graves, Tony Randall and Barry Manilow and recorded for Telarc; RCA, Dorian, Albany,Gothic and Argo/London Labels. Recent tours have taken him to Bolivia, England, Germany and Portugal.
Lawrence Wright is principal trumpet of the Allentown Symphony, Bethlehem Bach Festival Orchestra, Lehigh Valley Chamber Orchestra in Pennsylvania Sinfonia. He has a MM from Juilliard. He has performed with the Metropolitan Opera, the New Jersey Symphony, the Italian Spoleto Festival, the Opera Company of Philadelphia and has appeared as soloist with artists Sylvia McNair, Emanuel Ax and Menahem Pressler. He was featured in the PBS broadcast of Stravinsky’s L’historie du Soldat and as soloist in several recordings of the Bach Choir of Bethlehem, including Christmas Oratorio.
Scott Mendoker, tuba, has performed with the New York Philharmonic, Montreal Symphony, New York and Boston Pops, the New Jersey Symphony, the Broadway hit musical Ragtime, the Bavarian Radio, and recorded with the Metropolitan Opera and the Chicago Symphony Orchestra with members of the Czech Philharmonic for Summit Records and David Holsinger’s Kansas City Dances for Tuba and Wind Ensemble for Mark Records have received high praise and critical acclaim.
The music series is being underwritten, partially, by grants from the Frank & Lydia Bergen Foundation, Charlotte Bennett Schoen Foundation, and the Kyriakos Tsakopoulos Fund. The Herald Newspapers and the Cape May Star & Wave and the Sentinel Ledger are media sponsors. Tickets are $20. Adults; $15. Seniors and students. Call (609) 465-3963 to register.
For the second year Access to Art has received the support of the Frank and Lydia Bergen Foundation, sponsoring the Sam Maitin Summer Chamber Music Festival, held in various towns and churches in Cape May County. Access is presenting its l5th year of chamber music concerts in the area.
The foundation awarded Access to Art, Inc. a $10,000 grant. “We are very happy to have the support of the Frank and Lydia Bergen Foundation, a foundation known for supporting classical music in the New York and New Jersey area.” said Barbara Beitel, Access to Art, Inc. Director. “ Lydia Bergen was instrumental in presenting cello concerts at Carnegie Hall and she had a particular interest in classical music. Many of our musicians have performed at Carnegie Hall, and across the world, to rave reviews,” Beitel said.
This year’s lineup includes the Philadelphia Brass performing June 29th 2013 at 7:30 p.m. at the Cape May United Methodist Church, 635 Washington Ave., Cape May. They will perform both classical brass, and works from their American Songbook, which, this year includes Guys and Dolls.
On July 13th, pianist, Aurelia Mika Chang, piano, and Sue Ann Kahn, flute, will perform honoring Sue Ann’s father, Louis I. Kahn, world famed architect, and Sam Maitin, internationally known Philadelphia artist, whose brother worked for Louis I. Kahn, as did Chang’s father, Ching Yu Chang, also an architect. Aurelia Mika Chang performs on three continents. She is artistic director of the Sam Maitin Summer Chamber Music Festival. Flutist Sue Ann Kahn won the Naumburg Chamber Music Award as a member of the Jubal Trio, and the American New Music Consortium Award for her performances of contemporary music. Ms. Kahn has recorded music of all periods for MMG, Vox-Candide, Capstone, New World, CRI, and most recently, The Mozart Flute Quartets for Albany Records. She teaches at Mannes School of Music, and at Columbia University.
The Mondrian Ensemble, the core group of Access to Art’s Sam Maitin Summer Chamber Music Festival, will perform on September 11th, featuring Philadelphia Orchestra strings, John Koen, cello, Anne Marie Ahn Petersen, viola, Aurelia Mika Chang, MM, Juilliard, piano, and Michael Ludwig, formerly Associate Concertmaster of the Philadelphia Orchestra and currently concertmaster of the Buffalo Philharmonic. Mr. Ludwig is under contract with Columbia Records and records with the London Philharmonic, the Royal Scottish Symphony and other international symphony orchestras. “We are delighted to have Michael Ludwig at this concert,” said Barbara Beitel. “He solos all over the world, now, and records, and he is hard to get, but he is a core member of our original Ensemble, and his music is beautiful.” she said.
In August, Dr. Bert Greenspan violinist, Juilliard BA, and Performance doctorate from Indiana University will join us for a performance, date to be announced. Pianist Elise Auerbach will accompany him. Dr. Greenspan taught at Rowan for years, served as department chair, and performed with the Philadelphia Opera Company. He has also been guest lecturer at the events celebrating the Renaissance, including a talk on the Italian Renaissance, and on the English Renaissance given at the Southern Mansion, Cape May. Currently Bert is performing in OperaNaples, in Naples, Florida, and with the Southwest Florida Symphony Orchestra.
Tickets are $25. Adults; $20. Seniors; and $15. Students. Call (609) 465-3963 for scheduling and time information.
Cape May Court House. Join Access to Art as it celebrates its 21st birthday as a not for profit presenting the visual and performing arts in the area with a visit to Princeton’s McCarter Theatre for a matinee on Sat. April 6th to see Shakespeare’s “The Winter’s Tale.” It is a benefit for the Cape May Renaissance Festival which is scheduled, this year, on Sept. 21st and 22nd at the 4-H grounds on Dennisville Rd., in Cape May Court House. “In line with the Renaissance theme, we are going to see some Shakespeare, who was one of the major entertainments in Elizabethan England. McCarter always does a great job with the classics, and with all the arts, being near the University, and having an audience who appreciates them.” Barbara Beitel, Access to Art, Inc. Director said. “We invite you to join us as we begin our development of the Cape May Renaissance Festival.” Beitel said. “We are inviting our old acts back, those who are still available, and we have some new ones planned as well. We will have a Renaissance dinner on August 7th at the Willow Creek Vineyard in West Cape May where we held our first Cape May Renaissance Festival. Barbara Bray Wilde is hosting us in her lovely new winery building, and we are putting together entertainment for that now.
The Shakespeare classic is directed by Rebecca Taichman, who receives rave reviews at McCarter for her creative direction. We will attend a matinee, have lunch, at either the best Chinese restaurant (authentic Szechuan dishes but American/Chinese also available) or at Mastoris Diner, for a thoroughly American lunch. They are close to each other. Trip with bus, play admission, and lunch is $115. McCarter Theatre, near Princeton University, is a wonderful venue that presents the very best in the visual and performing arts. Princeton is lovely in Spring so we can spend a little time either on the university campus or shopping on Nassau St. At 2:30 the pre-talk begins, and at 3 p.m. the matinee. We will leave the Acme Parking lot in Cape May Court House at 10 a.m. and get to Mercerville for lunch about noon. Since we are still studying the Tudor period, althoughHenry VIII this year, and not Elizabeth, it will be fun to see a little Shakespeare and get in the mood. Our own play, being written by Sheila N. Rinear, “Bound by Truth,” which we commissioned with a grant from NJSCA, is still being developed. It will be presented this coming Fall at the Cape May Renaissance Festival event. It was very successful this winter when 70 people turned up for the reading at the Southern Mansion.
The Winter’s Tale is described as “tragic, romantic, hilarious and uplifting. The Winter’ Tale is a genre bending masterpiece and one of Shakespeare’s most elegant and haunting plays. This beautiful music-filled and magical classic celebrated redemption, reconciliation, and the mending of broken hearts.” Rebecca Taichman was reviewed by the Philadelphia Inquirer who said of her work, “Delish and Dazzling…Shakespearian Comedy true to text but made gorgeously fresh by a brilliant young director, Rebecca Taichman.” (This described 12th Night at McCarter in 2009). Tickets are $115. Please send checks to Access to Art, Inc., 417 E. Pacific Ave., Cape May Court House, N.J. 08210. Call (609) 465-3963 to register. Bus seats 5l.
The Tudors are coming to Cape May. Attendees of Access to Art’s Renaissance Redux will have a fun discussion on the English court and its 16th century music given by Dr. Bert Greenspan, Emeritus professor of Music from Rowan University. Dr. Greenspan, violinist, a Juilliard undergraduate, with a performance degree from Indiana University, will explain the English Renaissance in music, and give us a backgrounder on it, at the Southern Mansion, 720 Washington St., Cape May at 7 p.m. on December 13th.
His topic? “The English Renaissance: Political Intrigue, Sexual Misadventures, and a Musical Miscreant.” He will speak for 35 minutes, have a question and answer period, play a little music, and then we will break for wine.
Following that, we will have selections of a new play reading by four actors, of “Bound by Truth,” by Sheila Lynch Rinear, commissioned by Access to Art, Inc. exploring a narrow period in the life of Sir Thomas More, former chancellor of England, renowned humanist, with his daughter, Margaret More Roper during the reign of Henry VIII. It covers the period of Henry VIll’s attempt to annul the marriage of himself and his wife of 20 years, Catherine of Aragon, daughter of Ferdinand and Isabella. Cardinal Wolsey was unable to obtain an annulment from the Papacy. Catherine of Aragon was dangerously related to the Holy Roman Emperor, Charles V, who was her nephew. Thomas More was thrust into the position of Chancellor, against his better judgment, after Wolsey had been condemned to death. Wolsey, after 20 years of service to the king, died a week before his trip to the tower of London, which spared him the terrors of decapitation. The period discussed is limited to Thomas’s interment in the Tower of London, when everyone, the Lords and Elders and Bishops of the realm, had gone with the king, except for Bishop John Fisher, a few Carthusians and a Birgittine Confessor General and Thomas More stayed with the church. His wife, sons in law, friends had all disappeared. Margaret, his beloved eldest, and brightest daughter, went to work to support her father who was not good at being alone and away from his family. She took Henry’s oath, to get access to her father, on the subterfuge that she would convert him to Henry’s cause, and his new self-appointed role as head of the church in England.
Margaret, saved his works, caused him to write, and through her daughter, Mary, twenty years after More’s execution, we actually have his words written from the prison which Margaret spirited out.
Henry VIII was the most musical of Renaissance kings: he sang, read music, composed music, and played lute, virginals and organ. He hired more court musicians than any other Renaissance monarch, and his courtiers, and queens, all had to play the lute, sing, dance and entertain. Henry’s court was known for its revels, music, and its Royal Chapell. Dr. Bert Greenspan, who taught violin, and music history, at Rowan for five decades, will give us an entertaining talk on the greatest period of English music. He will perform something that everyone is familiar with, a tune from the Renaissance, and ask people to identify it. Currently Dr. Greenspan is performing in a baroque orchestra in Fort Myers, and with the Naples Opera Company.
He will describe Henry VIII as brilliant, handsome, an author, a musician, a humanist…who also turned out to be not as playful and erudite as he was in his youth, when Cardinal Wolsey was his chancellor, but in his pursuit of his legacy and a male heir turned into someone who brooked no differences.
Dr. Greenspan, who taught over 2000 students at Rowan, and spent 30 years as a concert master at the Reading Pa. Symphony Orchestra, performed for the Pennsylvania Ballet & Opera Companies . Joe Mayes, from Rowan, head of the Early Music Department there, will come and play his lute within the context of the reading performing a composition of Henry VIII in the play.
The talk will transpire, with questions from the audience, and a little wine break, to be followed by the reading selections of a new play by Sheila Lynch Rinear, playwright from San Antonio, Tx. who has written over 50 plays. Her play, Bound by Truth, will be read by four Equity actors who perform for East Lynne on occasion, as well as other venues. The reading will be directed by Mark E. Lang. It will look extensively on the relationship between Thomas More, former Chancellor of England, consigned to the Tower of London, for refusing to sign Henry’s oath making him the head of the church in England. If he did not renege, More would be decapitated and perhaps, disemboweled in a public display reserved for traitors. His head would decorate the Tower. He had monks, Bishop John Fisher the confessor of Henry VIII’s mother, who founded several schools at Oxford, Richard Reynolds, a confessor general of the Brigittines, a learned order brought to England by an earlier king to pray for the soul of his father, who had murdered family members in pursuit of the throne. Accompanying them was John Houghton, the head of the Carthusians, and 54 of his monks, who marched to their deaths before More’s window in prison as an object lesson to Thomas More from Henry VIII.
Margaret More Roper, whom More had educated as well as anyone who attended Oxford, in his home at Chelsea, enjoyed the study of Greek, Latin, English, science, math, astronomy, music and even medicine. She was particularly fluent at translation from Greek to Latin to English. At Chelsea, More’s home, he set up a school where Margaret, along with his other two daughters, his step-daughter, adopted daughter, and his son, and various relations and neighbors, where students were treated to their father’s ideas of a humanist education. They were taught by dons from Oxford and scholars from the continent, friends of More and Erasmus. More was fascinated with education, and thought that women should be educated, unlike most other men of his era. Margaret More Roper, and her humanist skills, will also play a prominent part in the new play. In the 16th century, education was foreign to women. Only queens and princesses received an education, and a king’s educations may have been inclined more toward jousting and hunting than Greek and Latin. The More girls were asked, because of the fame of their learning, to give a debate before the king, to decide how he would educate his male illegitimate offspring. They were famed in Europe for their scholarship. Henry had heard of their skills, and wanted to see a demonstration.
Margaret translated Erasmus from the Greek to English. She was a brilliant writer and translator, but, because of her sex, she was not allowed to write. Her father wanted her virtuous, humble, and not seeking after vain glory. But he also wanted her educated. More was a famed English humanist who had written “ Utopia.” He was a best friend with Erasmus, the most famous humanist in Europe, who wrote “In Praise of Folly”, which he dedicated to More. More, like a group of young humanists at Oxford, was infatuated with the idea of the new learning: returning to Greek and Latin, translating from Greek to Latin to English. He studied the Greek moralists, poets, scientists. Erasmus translated the bible from the original Greek. He mocked the excesses of the scholastics, and called people to a simpler lifestyle modeled on the bible and on Christ. Both were church reformers, who, in their youth, desired to reform the church from within. The church had too many politicians and businessmen who created problems by their venality and lust for power. Earlier, in his Catholic days, Henry VIII wrote a diatribe against Luther and was named “Defender of the Faith” by the Pope.
In the age of Henry VIII, the world of the middle-ages was rapidly coming to an end, and the age of the Renaissance was ascending. The world departed from the thought of Augustine which had held the Middle Ages together: “ The common good is to be preferred to our own selfish interests, and not our own selfish interests to the common good.” It was a period when theology was the Queen of the Sciences, and God was at the center of the universe. The dawning age was now in all out pursuit of individualism. The age of God as the center of the universe, the Middle Ages, was replaced by the age of man. The community was about to be severed, and the Catholic faith, which had held for l000 years, was to be splintered. More was one of the last medieval minds in England, who harkened back to the church of l000 years, the church of the apostles, and the church fathers, that began hospitals, universities, monasteries, and kept the bible through the ages, writing it by hand in monasteries. It was the age of the printing press, and the common man reading the bible in the vernacular. It was the age of exploration by sea to foreign lands. Join Access to Art, Inc. as we seek insight into the origins of the modern age which began in the Renaissance and now seems sated with individualism, individual rights, and the cult of the self.
Tickets are $25. Adults; Seniors, and students, are $20. Call Access to Art, Inc. at (609) 465-3963 to reserve tickets. Send checks to Access to Art, Inc., 4l7 E. Pacific Ave., Cape May Court House, N.J. 08210.
Beginning at 7:30 p.m.
Play Reading of a new play by playwrite Sheila Rinear
“Bound for Truth” Dec. 13th
A discussion of Renaissance English Music by Dr. Burton Greenspan
Wine and Sociability at the Southern Mansion, Cape May
Cape May. Strike up your lute. It is Renaissance redux at the Southern Mansion for Access to Art, Inc. on Dec. 13th, at 7:30 p.m. when the elegantly festooned l860’s era mansion, the Southern Mansion will entertain Access’s guests for a reading of a Renaissance play and a talk about Renaissance music in Henry VIII’s England. The event is open to the public. Decked with Christmas splendor, the Southern Mansion, who hosted Access’s Salute to the Italian Renaissance in 2010, at 720 Washington St., Cape May will play host to a return of Dr. Bert Greenspan to discuss Renaissance music in Henry VIII’s England. The event, which includes wine, will occur on Thursday, Dec. 13th at 7:30 p.m. Access to Art will continue their explorations of 16th century Renaissance England at a play reading of “Bound for Truth,” featuring Sir Thomas More, former chancellor for Henry VIII , featuring his eldest and favorite daughter , Margaret, trained as a humanist at More’s home in Chelsea. Women were not educated in the 16th century, but More educated his three daughters, his stepdaughters, and his son the same bringing in the finest dons from Cambridge and Oxford, and famed scholars from the continent. Margaret translated a religious work from Erasmus, the famed Netherlands humanist.
The reading of the new play by Sheila Lynch Rinear, “Bound for Truth,” with be done with area and NYC equity actors from East Lynne Theatre Company. The play, funded by the NJ State Council on the Arts, Dept. of State, and supported by the Cape May County Cultural and Heritage Commission, and by Samuel S. DeVico, concerns the period of former Chancellor Thomas More’s sojourn in the Tower of London. He had retired from the chancellorship as Henry conspired to rid himself of Catherine of Aragon, and was consigned to the Tower when he refused to sign Henry’s oath which made Henry both the head of the church spiritual and the head of state in England. This situation transpired when Cardinal Wolsey, then Chancellor of England, was unable to get Henry VIII a divorce from Pope Clement VII, a Medici. Henry had been married to Catherine of Aragon, for 22 years, with no male heir. Catherine, who was the aunt of the Holy Roman Emperor, Charles V, spelled trouble for the Pope, since, eventually Charles V sacked Rome and ended the Renaissance. That created a problem for the Pope, who vacillated. The papacy had already given one annulment to allow Henry to marry his brother Arthur’s widow, when Arthur died at 15 years of age.
Margaret Roper More managed to visit her father, in the tower, by signing the oath, and assuring Cromwell that she would get her father to take the oath . Margaret was the eldest, and the brightest of his children, and the most gifted in languages. She was a translator for Erasmus, the great Renaissance Greek scholar. The event is scheduled for a Thursday evening, Dec. 13th at 7:30 p.m. and will be followed by a wine reception. An introduction to the music of the court of Henry VIII will be given by Dr. Burton Greenspan, formerly of Rowan University, and currently concertmaster of the Naples Opera Company in Naples, Florida. “Dr. Bert taught music history at Rowan, and also violin. He has an undergraduate degree from Julliard, and a graduate degree in performance from Indiana University. He is an informative and entertaining speaker, and he gives one an educated chance at seeing the period musically.”said Barbara Beitel. Also joining Access will be Joseph Mayes, head of the Early Music Dept. at Rowan, who will play a little lute, to introduce the play’s masque. The lute was the instrument of choice of Henry VIII who played the lute as did his wives, and associates. Henry had 58 paid musicians at his court, from Italy and the Netherlands, and a children’s Chapell, and he took music seriously enough to also compose it. He liked to sight read with his courtiers and to sing. He was the most musical of the Renaissance Kings. He played the lute, the organ and the virginals.
“We are having a reading of the beginning of the play, and we will have the play fully developed by the Cape May Renaissance Festival.” said Barbara Beitel, Access to Art, Director. “Meanwhile, we invite everyone to an evening similar to the one we had several years ago on the Italian Renaissance, with the addition of a play reading.” Beitel said. “England had its religious wars, as did Europe, and it was a bloody business. We can be thankful that all we have to put up with is character assassination, and not murder in our present political climate. It makes one acutely aware of the reason our forefathers were so adamant about separation of church and state.” she said.
Tickets are $25., adults, $20 seniors and include wine and the entertainment. Call Barbara Beitel at (609) 465-3963, Send checks to Access to Art, Inc., 417 E. Pacific Ave., Cape May Court House, N.J. 08210.